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What about his security? It's gonna get worse as we go deeper.
I think we run with Mr. Charles.
Who's Mr. Charles?
The second we get in that hotel with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job.
So you've done it before?
Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces.
Excellent. But you learned a lot, right?
Ah. So, this is your idea of losing a tail, huh?
Why are they all looking at me?
Because my subconscious feels that someone else is creating this world. The more you change things, the quicker the projections start to converge on you.
They sense the foreign nature of the dreamer. they attack like white blood cells fighting an infection.
What? They're going to attack us?
No, no. (quietly; almost to himself)
Just you. (creates a new bridge over the street)
This is great, but I'm telling you, if you keep changing things...
Where were you? What happened to you?
Got blocked by a freight train.
(to Ariadne) Why would you put a train course in the middle of a downtown intersection?
Why, I didn't.
Where did it come from?
Let me ask you a question, why the hell were we ambushed, huh? Those were not normal projections. They've been trained, for God's sakes!
How could they be trained?
Fischer's had an extractor teach his subconscious to defend itself, so, his subconscious has militarized. It should have shown in the research. I'm sorry.
The moment's passed. Whatever I do I can't change this moment. I'm about to call out to them. They run away. If I'm ever going to see their faces I've gotta get back home. The real world.
I guess I thought the dream-space would be all about the visual, but it's more about the feeling. My question is what happens when you start messing with the physics of it.
Do you know what it is to be a lover? Half of a whole?
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